The Chanted Tune
Tune Tree is the first Tune. It has nine sounds and one syllable shape. It gave way to Tune Rock, which grew to seventeen sounds and a closed syllable, and Rock in turn gave way to Tune Moon.
Tree is a chanting language. It is built for song, for humming, for keeping a beat, and for plain statements. It is not built for careful talk. Anything that needs precision needs Rock or Moon.
Every sound in Tree is one a body makes without a tool. Two hums, three drum hits, one breath, three vowels.
Nine sounds.
| mark | sound | note |
|---|---|---|
i |
keep |
high, out, bright |
a |
far |
level, surface, warm |
u |
moon |
low, inner, dark |
m |
mark |
the good hum |
n |
note |
the bad hum |
p |
play |
the lip hit |
t |
time |
the tongue hit |
k |
king |
the throat hit, a rock chipping |
h |
heal |
the breath |
Vowels are the Spanish i a u.
The hum. m and n are the two sounds you can hold with your
mouth shut. They carry polarity. m is good, warm, toward. n is bad,
cold, away.
The beat. p, t and k are the three places you can stop the
air and let it go. Lips, tongue, throat. They are the drum kit.
The breath. h is grammar rather than vocabulary. It carries the
three roles and appears nowhere else.
Every syllable is CV. No clusters, no codas, no two vowels together.
mi ma mu
ni na nu
pi pa pu
ti ta tu
ki ka ku
hi ha hu
Fifteen lexical syllables and three grammatical ones. Eighteen in all, and that is the whole sound of the language.
A word is a root of one, two or three syllables, and an optional role syllable on the end.
ma maha mahi mahu
mata mataha matahi matahu
matanu matanuha matanuhi matanuhu
There is no compounding. Tree says one thing per word. Where Rock joins atoms to build a longer term, Tree takes a new word.
Tree marks a role with a whole syllable, because a bare vowel is not a syllable Tree can say. The breath carries it.
| suffix | role | |
|---|---|---|
-ha |
entity | the thing form |
-hi |
action | the process form |
-hu |
feature | the property form, and how one word modifies another |
tamaha = house
tamahi = build
tamahu = built
tamahu kunaha = the built dog
nataha kunahi tamaha = the person sees the house
The suffix is optional. In chant it usually comes off, and the role is left to context and to the beat.
nata kuna tama
That is a line you can drum. Say the same thing carefully and the roles come back.
Tree has three roles. Moon has five. The two that are missing had not been invented yet.
- No relation form. Moon has
-efor links. Tree uses an action word in series:nata tamahi kunaputs the person at the house by saying the being-at. - No operator form. Moon has
-ofor negation, conjunction, question and the rest. Tree has none. Negation is an ordinary word. A question is a tone of voice.
This is the ceiling. Tree can say what is, what happens and what something is like. It cannot cleanly say not, or, if, or of.
Four rules decide whether a root is a Tree word. Each one is in
code/sound.ts and code/calculate.ts reports what each one costs.
| rule | what it says |
|---|---|
breath-is-grammar |
h never appears in a root, only on the role syllable |
no-triple-consonant |
no consonant carries three syllables in a row |
no-repeated-close-vowel |
no i beside i and no u beside u, a beside a is fine |
no-opening-echo |
the first two syllables never repeat |
Three of those are worth saying more about.
Breath is grammar. h carries the role and nothing else, so every
h in a chanted stream is the end of a word. That is what makes Tree
parseable when it is sung with no pauses.
The echo is reserved. A root whose first two syllables repeat,
mama or kuku, is the intensive. Fifteen shapes at two syllables and
two hundred and twenty five at three are held back for it.
m and n are the exception to clarity. They are the one pair in
Tree that is easy to confuse, and Tree leans on that pair rather than
avoiding it. mata and nata are meant to be a minimal pair, because
good and bad are meant to sit that close together. Every other
consonant is far from every other one, which is what a three vowel,
five consonant system buys you.
Roots, before and after the rules.
| syllables | letters | pattern | raw | clear | held back |
|---|---|---|---|---|---|
| 1 | 2 | CV |
15 | 15 | 0 |
| 2 | 4 | CVCV |
225 | 170 | 15 |
| 3 | 6 | CVCVCV |
3,375 | 1,980 | 225 |
| total | 2,165 |
Surface words, counting the bare root and the three role forms.
| root syllables | bare | ha | hi | hu | all |
|---|---|---|---|---|---|
| 1 | 15 | 15 | 15 | 15 | 60 |
| 2 | 170 | 170 | 170 | 170 | 680 |
| 3 | 1980 | 1980 | 1980 | 1980 | 7,920 |
| 8,660 |
Tree is small enough to keep whole. Rock has to be generated and Moon has to be hand tuned, but every Tree word that survives the four rules is in the lexicon.
The one syllable roots are the closed class. Fifteen words for the things a language points with: this, that, me, you, one, two, yes, no.
Tree is chanted, so what matters is how long a word runs.
| beats | shapes | count |
|---|---|---|
| 1 | CV |
15 |
| 2 | CV+hV, CVCV |
215 |
| 3 | CVCV+hV, CVCVCV |
2,490 |
| 4 | CVCVCV+hV |
5,940 |
Dropping the role syllable takes a beat off. That is the main rhythmic move in the language: the same thought at three beats or at four, depending on the line.
Two changes.
The beats fanned out. Voicing and frication arrived, and they
arrived on p, t and k and nowhere else.
| Tree | Rock | what happened |
|---|---|---|
i a u |
i a u |
held, all three |
m |
m |
held |
n |
n |
held |
p |
p b f v |
voicing, frication, both |
t |
t d s z |
voicing, frication, both |
k |
k g x j |
voicing, frication, both |
h |
lost |
Five lexical consonants became fourteen. The vowels did not move at all: it was Moon, much later, that split them.
The breath was lost. It was grammar, so it died with the grammar.
The role syllable hV wore down to a bare vowel, and with it the only
h in the language went.
mata + hi -> bat + i -> bati
CVCV + hV CVC + V
Rock has no h. Moon has one, but it is a weakened k, not this one.
| file | what it is |
|---|---|
code/sound.ts |
the inventory, the rules, the sort order, and the correspondence to Rock |
code/calculate.ts |
generates every root and word, reports what each rule costs, writes base/ |
code/fold.ts |
carries Rock back to Tree and writes base/ancestor.csv |
sounds.md |
what each of the nine sounds means |
words.md |
the concepts Tree has words for |
Generated data:
| file | what is in it |
|---|---|
base/root/{2,4,6}.csv |
roots, by how many letters the root has |
base/word/{2,4,6,8}.csv |
surface words, by word length, so the number is twice the beats |
base/ancestor.csv |
the Moon lexicon carried all the way back |
pnpm --dir deck/tune exec tsx make/v3/rock/code/calculate.ts
pnpm --dir deck/tune exec tsx make/v3/rock/code/fold.tsfold.ts reads ../rock/base/ancestor.csv, so run the Rock fold
first. See ../readme.md for the whole order.
Tree's lexicon is not invented separately. It is the Moon lexicon carried back through Rock, which is the only way the three can stay consistent.
All 5,276 Rock words fold to Tree with nothing strained. They land on 69 of Tree's 170 two syllable roots, about 41%.
That ratio is the point. Nine sounds could not hold six thousand
meanings apart. kana in Tree stands behind garden, spirit, count,
zero, aggregate, object and vehicle in Moon, and the splitting of the
sounds is exactly what pulled them back apart.
A Rock word of two atoms comes back as two Tree words, because Tree does not compound. Of the 5,276, six hundred and eighteen are a single Tree word and the rest are phrases.
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